Showing posts with label LOGICAL. Show all posts
Showing posts with label LOGICAL. Show all posts

Monday, 2 May 2011

Which one C.I.Ud. Black Ops the Agent has Taught Me On Copywriting

One of my instructors was a previous Navy S.I.One.L. Who had left theNavy to join the C.I.Ud. Like agent of special operations.Thisguy Had seen to combat in several different theaters of operation,during a lot of public (and some no so public) conflicts.
One of the others students" in my kind have asked a good questionduring our training.It has asked, "If this technician is drawn totake #down terrorist carrying body armor, why no we fair takethe the head has shot firstly?Why no always take shots of head?"
So much to write precise effective copy remember the proportion...Twoin The heart, one in the head.
To maintain a balance between emotion and logical, your copywill has the emotional power to sell them and the logicalarguments to help them justifies buying it decision.
The answer of the instructor has done the wisdom behind clear technician,"Different the one who can see in the films, a headshot is a verydifficult shot to do.Particularly in a big pressuresituation, where the aim" is train to shoot behind you.The firsttwo the shots to the body are most of of entity, because they helpget your views centered and centered in the aim, doing theheadshot much easier.It is simply a subject to raise yoursights in a straight line and shooting."

When it was in the Strength of Air, have had the occasion to answer avery "course" of special training taught by instructors muyespeciales.
Justo and the C.I.Ud. Training drill would have to shoot by twothirds-heart (emotion) and a terceracabeza (logical.)
But this style of "none first" copy shows a basicmisunderstanding of buying it and selling process.
Your decision of mark of the perspectives to buy based in emotion (heart) andthen justify these decisions with logical (none.)
Buying the decisions are emotional.
Okay...Pues Probably are in that it asks you the one who in the heck everything of thishas to do with writing copy.
Now this does not mean that you can avoid weaving the logicalarguments to your copy.When have mentioned, the people still precisan thelogical side to help justifies the decision of purchase.Withoutgiving it Logical reinforcement precisan, buyers remorsewill place inside and will have a indicio a plus big of refunds andreturns.
Even so, for each logical reason give, precise do aminimum of two emotional appeals.
We trained in this technician for days.Against stationarytargets, moving objective, simultaneous commitment of multipletargets, of prone position, crouching position, behindbarricades, only delivered shooting, shooting with our ours hand plus toneless (tosimulate a damage in your arm of primary shooting), down under lightconditions...Each scenario you (or some sadistic ex-SEAL, C.I.One.spook) Could imagine.
The problem with most of copywriters is maintain to take "headshots" first. They center in "logical reasons to buy and thefeatures of the product, enough that disposal for the heart withmultiple strong emotional appeals.
The Emotion is the one who he causes people to take action.Because of thisyour needs of copy to hit them directly in the heart.Precise touse powerful, words touched emotionally to link your productsbenefits directly to your yours reader plus deep emotional want to anddesires.
One of the things we has taught during this advanced" trainingcourse was one highly specialized technical shooting has called it"it Mozambique" (also known like the failure of double tap drill.)
This is the primary handgun shooting technician used by all eliteU.S. Military unities, as the Navy SEALS, Enough of DELTA of the Army,C.I.Ud. Black Ops and some how many another will not mention by name...
Left tries me explain...
In a real life scenario, this technician is devised to provide aguarantee to delete your aim although the bad guy iswearing body armor (and by this both rounds in the breast areineffective.)
The basic technician is to shoot two fast shots (called a "doubletap") to the centre of aims of too much (middle of the breast) andthen raise your weapon on top of in a straight line, fair a hair and putanother round in the centre of the head.
The whole time ours instructor is yelling... "Two In the heart, onein the head!...Two In the heart, one in the head! ...Two In theheart, one in the head!"On and on and on...
Two In the heart...One in the head...

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